The Dark Court

 

 

 

                                THE DARK COURT

Vyvyan Evans

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GENRE:  Science Fiction

 

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BLURB:

 

A genre-blending dystopian, sci-fi mystery-thriller that will make you think about communication in a whole new way.

 

Five years after the Great Language Outage, lang-laws have been repealed, but world affairs have only gotten worse. The new automation agenda has resulted in a social caste system based on IQ. Manual employment is a thing of the past, and the lowest soc-ed class, the Unskills, are forced into permanent unemployment.

 

In a world on the brink of civil war, a deadly insomnia pandemic threatens to kill billions. Lilith King, Interpol’s most celebrated detective, is assigned to the case.

 

Together with a sleep specialist, Dr. Kace Westwood, Lilith must figure out who or what is behind this new threat. Could the pandemic be the result of the upskilling vagus chips being offered to the lowest soc-ed class? Or are language chips being hacked? And what of the viral conspiracy theories by the mysterious Dark Court, sweeping the globe? Lilith must work every possible angle, and quickly: she is running out of time!

 

While attempting to stop a vast conspiracy on an intergalactic scale, Lilith also faces shocking revelations about her origin, coming to terms with her own destiny.

 

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EXCERPT

 

Her father then turned back to Lilith, gazing at her with the kindness she loved. “I have to go away.” He gulped. “You must be very brave, Lily. Because what I’m doing is for you. You’re very special. I believe you will change everything. Not just here, but everywhere.” With that he reached into his jacket and pulled out a small bracelet from inside his breast pocket. He handed it to Lilith. 

 

“Another gift?” she asked, with cautious excitement. Lilith turned it over in her hand. It was silver, with a small, strange-looking screen on the outer side. The screen was narrow and black, and numbers were spinning in iridescent green, fleetingly across the screen.

 

“I guess it is. This is a SwissSecure bracelet. It will live with you, expanding as you grow.”

 

“Is it alive?” Lilith asked. 

 

Her father chuckled. “In a way, I suppose it is. When you’re older, after you’re chipped, the numbers will stop spinning. And then you’ll receive a message from me—two, in fact.”

 

“Memoclips?” Lilith asked, confused. She knew that was what the chipped adults called them. 

 

Her father dipped his head. “Actually, faceclips. They will explain things … when the time is right. For one thing, where the music comes from, the Nunciature Evangelion—the Tower of Songs.”

 

“Music?” 

 

“It will come to you, later today. This music will help you become your potential, but it will also be your one Achilles heel …” 

 

A Word With the Author

Why do you write in your genre?   What draws you to it?

I write in science fiction, the literary genre of ideas. Science fiction has a long and illustrious habit of predicting the future. In 1940, with his first in the Robot series of stories, Isaac Asimov predicted some of the ethical issues that would arise as artificial intelligence comes to have a more pervasive influence in our daily lives.

Today in the twentieth first century, we are on the brink of a Fourth Industrial Revolution, sometimes dubbed 4IR. This is where automation and connectivity, via the internet, will dramatically alter the way in which we interact with each other, as well as everything around us, in our increasingly joined-up technological environment. And I predict, in less than one hundred years from now, this new technology will transform many aspects of our daily lives that we currently take for granted, including language itself.

Indeed, in 2015, many of the world’s leading scientists warned, in an Open Letter and accompanying report, against the new dangers of AI, as a consequence of 4IR. This Open Letter was issued in response to new breakthroughs in AI that, without adequate control, might pose short and long-term existential threats to humans.

But potential dangers come not just from the use of AI, in the sense of, for instance, The Terminator series of movies, in which AI seeks to wage war and destroy humans. New implantable devices, that will enhance how we as humans can interact with our new tech-landscape, will also give rise to potential dangers. Language is, arguably, the single trait that is the hallmark of what it is to be human. And yet, in the near-future, language-chipped humans, or ‘transhumans’, will have enhanced abilities that bring new opportunities, as well as ethical challenges and even threats.

These challenges and dangers are what are predicted in my science fiction writing. The books, including my recent release, The Dark Court, warn of the dangers of humans giving up on language, quite literally having something akin to ChatGPT in our heads. When we lose language, humanity loses.

What research (or world-building )– for Sci-fi is required?

I have a background in linguistics and cognitive science, with a PhD from Georgetown University and having worked for many years as a professor of linguistics. In my Songs of the Sage science fiction book series (The Dark Court is book #2), I explore one possible future for language, if the current research trajectory continues, and we no longer learn language it, but stream direct to neural implants in our heads.

I find science fiction to be appealing as a genre, as it really is an advantage to be a subject matter expert. To write convincingly, especially in so-called ‘hard’ science fiction, such as The Babel Apocalypse, which strives for scientific accuracy, it is important to have relevant background in the story and the ideas being conveyed. And it seems to me that this cannot be adequately replicated without some meaningful level of expertise.

 

Do you have any odd or interesting writing quirks, habits or superstitions?
My best ideas come to me either when I’m in the shower, or out for a run, when I have nothing to write them down with. It’s then a race against time to get access to a pen and paper, or a smart device, to write out the ideas before they disappear.

Are you a plotter or pantser?
I’m a bit of both. I plot and then pants within the outline plot, reworking ideas many times, cutting, adding, revising. 

 

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AUTHOR Bio and Links:

 

Dr. Vyvyan Evans is a native of Chester, England. He holds a PhD in linguistics from Georgetown University, Washington, D.C., and is a Professor of Linguistics. He has published numerous acclaimed popular science and technical books on language and linguistics. His popular science essays and articles have appeared in numerous venues including 'The Guardian', 'Psychology Today', 'New York Post', 'New Scientist', 'Newsweek' and 'The New Republic'. His award-winning writing focuses, in one way or another, on the nature of language and mind, the impact of technology on language, and the future of communication. His science fiction work explores the status of language and digital communication technology as potential weapons of mass destruction.

Book website (including ‘Buy’ links): http://www.songs-of-the-sage.com

Author website: https://www.vyvevans.net/

 

Youtube channel: https://www.youtube.com/@vyvevans

 

Twitter: https://twitter.com/VyvEvans

 

Facebook: https://www.facebook.com/Vyvyan.Evans.Author

 

Instagram: https://www.instagram.com/nephilim_publishing/

 

 

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GIVEAWAY INFORMATION 

Vyvyan Evans will award a randomly drawn winner paperback copies of both book 1 and book 2 on the series - a Rafflecopter giveaway

  

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