As
an author, what scares me the most?
Actually, what
used to scare me most about the writing profession isn’t necessarily true
anymore.
When I was in
graduate school at the University of Chicago, we had industry professionals
coming in to tell us about getting published. I met agents and publishers, and
we all went through the process of submitting our work for practice. We were
encouraged to do our own research to find agents and publishers who had handled
books like ours in the past, since they would be best able to sell our work to
the big publishing companies.
What I discovered was that publishers don’t care how good your book is. Publishing houses are for-profit corporations. This means they want only one thing: a predictable seller, so they can tell their shareholders they made a safe bet. You might think that a good book would be the same as a predictable seller, but it’s not. A book is a predictable sale when it very closely resembles one that sold well before, varying just enough from the original to avoid copyright violations. Publishers, chasing the market, were telling agents what kinds of books they would consider, and agents were telling authors what to write if they wanted to be represented.
The more I understood the publishing industry, the clearer it became: I was watching a death spiral of creativity. Books are not commodities, they are ideas; no company that analyzes new work as it would soybean futures or pork bellies can accept a book with a truly original, unproven premise.
Print-on-demand
and e-book formats now let authors take their message directly to readers
without subjecting it to all that, which is great, mostly. However, it does
mean that anyone who wants to produce a book will do so, regardless of its
quality. Right now, some people still believe we need big publishers for their
alleged “screening function,” but in truth this service is now being performed
much more effectively by bloggers and their readers. Books now reach the public
without corporations excluding the most original ideas, and dedicated readers
in the blogosphere pick the diamonds from the dirt.
Here’s the
future of publishing: The big publishers will survive these changes by relying
on royalties from the huge back catalogs they’ve assembled over the past
hundred years. If they are then able to provide any value to the marketplace at
all, it will be through their marketing expertise and their distribution
networks. That is, authors will gain control over what they’re producing, and
will only be picked up by the major publishers once they’ve proven themselves
to have a market.
There has
never been a better time for new and original ideas to become books. Authors
are connecting with readers through blogs and websites and other social media,
and that’s what’s making the market work. The risk is on the author, now, not
the publisher, so there’s little money up front but there’s no market-chasing
censorship, either. In the cases where
an idea resonates with a sizeable number of readers, the major publishers will
come in and make a deal to market and distribute the book in exchange for a
percentage of its profits. Ideas, as novels, are more accessible, because of
the dialogue we’re creating through blogs like this.
SEVENTEEN
By
Mark Diehl
BLURB:
Most of the
world's seventeen billion people are unconscious, perpetually serving their
employers as part of massive brain trusts. The ecosystem has collapsed, and
corporations control all of the world's resources and governments. A bedraggled
alcoholic known as the Prophet predicts nineteen year-old waitress Eadie will
lead a revolution, but how can she prevail when hunted by a giant corporation
and the Federal Angels it directs?
EXCERPT:
The
mist was clearing. Brian found himself standing in the street outside the bar
he had entered earlier. Half a dozen battered and bleeding men stood
surrounding him, and at least as many more lay on the gravel, seriously wounded
or out cold.
The
attack had come from somewhere in the mist, from all directions at once. His
head and torso ached and throbbed. He locked his shaking knees to keep them
from buckling. Every muscle in his body seemed to be lengthening, pouring
downward like water. His eyelids drooped.
One
of the standing men took a step toward him, fists raised. Brian tried to turn
away from him, his arm flopping behind his back like a fish.
Behind
his back! His eyes opened a little wider. He straightened and forced his arm to
function, whipping out his revolver and aiming it around at the circle of
attackers.
He
tried to pull back the hammer but too many of his knuckles were broken. He
ended up simply pointing it at the closest one, who backed away cautiously.
Once past him, Brian walked backwards, still aiming the gun as long as he could
see them. Then he turned, moving as fast as he could manage, back toward Dok’s
place.
Mark D. Diehl writes novels about power dynamics and the way people
and organizations influence each other. He believes that obedience and
conformity are becoming humanity’s most important survival skills, and that we
are thus evolving into a corporate species.
Diehl has: been homeless in Japan, practiced law
with a major multinational firm in Chicago, studied in Singapore, fled South
Korea as a fugitive, and been stranded in Hong Kong.
After spending most of his youth running around
with hoods and thugs, he eventually earned his doctorate in law at the
University of Iowa and did graduate work in creative writing at the University
of Chicago. He currently lives and writes in Cape Elizabeth, Maine.
Author’s
Website: http://www.markddiehl.com
Mark is giving away a $25 Amazon or B/N gift certificate so follow his tour and comment often. You can find his schedule athttp://goddessfishpromotions.blogspot.com/2014/01/name-before-masses-seventeen-by-mark-d.html Use the following link to enter.
